Robert Fischer
Born in Greven, Germany — Oct 02 1954
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Robert Fischer's Credits
Browse acting and crew credits across movies and TV — filter and sort to find specific roles.
Requiem for a Killer: The Making of 'Blast of Silence'
Directing
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Directing
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Directing
Daniel, the Wizard
Journalist
Monsieur Truffaut Meets Mr. Hitchcock
Directing
Working with Max Ophuls: Annette Wademant, Co-Writer
Production
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Production
Will He Live or Will He Die: Walter Hill on Southern Comfort
Directing
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Directing
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Directing
Starting Out: The Making of Jerzy Skolimowski's Deep End
Directing
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Sound
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Editing
Fassbinder in Hollywood
Directing
Acting for Douglas Sirk
Editing
Swan Song: The Story of Billy Wilder's Fedora
Writing
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Editing
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Directing
The Beast Inside: Creating 'Wolf'
Directing
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Directing
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Directing
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Directing
Rag Doll Memories: Nancy Allen on 'Blow Out'
Directing
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Writing
Return to Beethoven Street: Sam Fuller in Germany
Directing
Weimar on the Pacific
Production
Reviving Harry Lime
Production
'Deep End': Remembering the Deleted Scenes
Writing
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Editing
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Editing
Men of Mystery
Production
Program Notes: An Introduction To The Last Detail By Alexander Payne
Production
Love Letters
Directing
Dalton Trumbo: Rebel in Hollywood
Directing
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Production
Ted Kotcheff's Gourmet Cinema
Writing
Homay King on 'Shanghai Express'
Production
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Directing
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Directing
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Directing
Dietrich Icon
Production
Contract Kid: William Reynolds on Douglas Sirk
Directing
Traveling Roadshow
Directing
A Tribute to Douglas Sirk by Allison Anders
Production
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Production
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Directing
Budd Boetticher on the Ranown Cycle
Editing
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Writing
Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
Production
The Making of Highlander
Directing
The Fury: A Location Journal
Directing
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
Directing
A Winter's War: Keith Gordon on 'A Midnight Clear'
Directing
Of Love and Constraints
Directing
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Writing
Outer Movement, Inner Movement
Directing
Maternal Overdrive
Directing
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Directing
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Production
Working with François Truffaut: Nestor Almendros, Director of Photography
Editing
Kurosawa and the Censors
Self
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Directing
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Editing
Working with Max Ophuls: Tony Aboyantz, Assistant Director
Editing
Erinnerungen an 'Väter und Söhne'
Production
Working with Max Ophuls: Alain Jessua on the Making of Madame de...
Production
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
Directing
Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
Production
Perspectives on Othello: Joseph McBride on Orson Welles
Production
Touching Death: Alejandro Amenábar on 'Tesis'
Camera
Return to Philadelphia: George Litto on 'Blow Out'
Directing
Jack Arnold Remembers The Incredible Shrinking Man
Directing
Hans Fromm on 'Phoenix'
Production
Expedition Amazonia
Directing
Le Plaisir: From Script to Screen
Production
Working with Max Ophuls: Robert Christidès, Set Decorator
Editing
Life As It Is: Miloš Forman on Miloš Forman
Directing
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Directing
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Directing
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Directing
Making an American Movie
Production
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Writing
Before Taking Off: Milos Forman’s Road to America
Writing