John Knoll
Born in Ann Arbor, Michigan, USA — Oct 06 1962
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Biography
John Knoll (born October 6, 1962) is an American Chief Creative Officer/Senior Visual Effects Supervisor of Industrial Light & Magic, having been promoted to that position on May 23, 2013, after serving as the company's visual effects supervisor. He joined ILM in 1986.
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John Knoll's Credits
Browse acting and crew credits across movies and TV — filter and sort to find specific roles.
Avatar
Visual Effects
The Mandalorian
Visual Effects
Pirates of the Caribbean: The Curse of the Black Pearl
Visual Effects
Pirates of the Caribbean: At World's End
Visual Effects
Pirates of the Caribbean: Dead Man's Chest
Visual Effects
The Book of Boba Fett
Visual Effects
Pacific Rim
Visual Effects
Mission: Impossible - Ghost Protocol
Visual Effects
Rango
Visual Effects
Mission: Impossible
Passenger on Train in Tunnel (uncredited)
Star Wars: Episode I - The Phantom Menace
Lt. Rya Kirsch - Bravo 4 / Flag Bearer (uncredited)
LIGHT & MAGIC
Self - Computer Graphics
Star Wars: Skeleton Crew
Visual Effects
Hook
Visual Effects
Star Wars: Episode II - Attack of the Clones
Visual Effects
Rogue One: A Star Wars Story
Writing
Star Wars: Episode III - Revenge of the Sith
Fire Ship Pilot (uncredited)
Disney Gallery / Star Wars: The Mandalorian
Self
Hugo
Visual Effects
Star Wars: The Mandalorian and Grogu
Visual Effects
The Hunt for Red October
Visual Effects
Deep Blue Sea
Visual Effects
Jungle Cruise
Visual Effects
Super 8
Visual Effects
Star Trek: First Contact
Visual Effects
Confessions of a Shopaholic
Visual Effects
Speed Racer
Visual Effects
Mission to Mars
Visual Effects
Side by Side
Self
Hudson Hawk
Visual Effects
Star Trek: Generations
Visual Effects
The Other Side of the Wind
Visual Effects
From Star Wars to Star Wars: The Story of Industrial Light & Magic
Self
Spaced Invaders
Visual Effects
The Stories: The Making of 'Rogue One: A Star Wars Story'
Self
Industrial Light & Magic: Creating the Impossible
Self
Star Wars: Within a Minute - The Making of Episode III
Self
No Feat But What We Make: 'Terminator 2' and the Rise of Digital Effects
From Puppets to Pixels: Digital Characters in 'Episode II'
Self
A Final Cut for Orson: 40 Years in the Making
Self - Visual Effects Supervisor
The Digital Artistry of Pacific Rim
Self
State of the Art: The Pre-Visualization of 'Episode II'
Self
Star Wars : La Révolution Visuelle
Terminal Velocity
Directing